{"id":10444,"date":"2020-11-20T10:00:52","date_gmt":"2020-11-20T15:00:52","guid":{"rendered":"https:\/\/thepulp.net\/pulpsuperfan\/?p=10444"},"modified":"2021-09-18T11:30:10","modified_gmt":"2021-09-18T15:30:10","slug":"the-pulpster-29","status":"publish","type":"post","link":"https:\/\/thepulp.net\/pulpsuperfan\/2020\/11\/20\/the-pulpster-29\/","title":{"rendered":"&#8216;The Pulpster&#8217; #29"},"content":{"rendered":"<p><a href=\"https:\/\/thepulp.net\/pulpsuperfan\/files\/2020\/08\/The-Pulpster-2020.jpg\" rel=\"lightbox[10444]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-10745\" src=\"https:\/\/thepulp.net\/pulpsuperfan\/files\/2020\/08\/The-Pulpster-2020-232x300.jpg\" alt=\"'The Pulpster' #29\" width=\"232\" height=\"300\" srcset=\"https:\/\/thepulp.net\/pulpsuperfan\/files\/2020\/08\/The-Pulpster-2020-232x300.jpg 232w, https:\/\/thepulp.net\/pulpsuperfan\/files\/2020\/08\/The-Pulpster-2020-791x1024.jpg 791w, https:\/\/thepulp.net\/pulpsuperfan\/files\/2020\/08\/The-Pulpster-2020-768x994.jpg 768w, https:\/\/thepulp.net\/pulpsuperfan\/files\/2020\/08\/The-Pulpster-2020.jpg 1159w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/a>While we don&#8217;t have a <a href=\"https:\/\/www.pulpfest.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">PulpFest<\/a> this year, we still have an issue of <em><a href=\"https:\/\/thepulpster.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Pulpster<\/a><\/em>, now up to #29. And it&#8217;s a much bigger issue with 84 pages rather than 48 pages. Two major themes for this year: the 100th anniversary of the birth of <strong>Ray Bradbury<\/strong>, and the 100th anniversary of the debut of <em>Black Mask<\/em>.<\/p>\n<p>For Bradbury, we actually get two sections.<\/p>\n<p>For the first, we have a trio of pieces by <strong>Garyn G. Roberts<\/strong>.<\/p>\n<p>The first is a overview of the author&#8217;s life and work, then an essay on Bradbury as his friend. Finally we get a overview of his work for Popular Publication&#8217;s detective pulps like <em>Dime Detective<\/em>, <em>New Detective<\/em>, and <em>Detective Tales<\/em>. Another is a reflection by <strong>Samuel James Maronie<\/strong> who corresponded with Bradbury and later met him at a 1996 SF convention. For myself, I have read Bradbury&#8217;s <em>The Martian Chronicles<\/em> and <em>Farenheit 451<\/em>, and many of his EC Comics adaptations, but not much else. I did like they provided a little sidebar on recommended reading on Bradbury.<\/p>\n<p><!--more-->The next section on Bradbury focuses on his &#8220;Martian legacy.&#8221; <strong>Mike Chomko<\/strong> looks at the influences that went into his <em>The Martian Chronicles<\/em>. Whereas <strong>Henry G. Franke III<\/strong> looks at <strong>Edgar Rice Burroughs<\/strong>&#8216; influence on Bradbury. As a more general look at Mars, <strong>Sara Light-Waller<\/strong> provides an examination of how Mars has been shown in the pulps, and <strong>Albert Wendland<\/strong> shows how current exploration of Mars has changed how it now appears in science fiction.<\/p>\n<p>For the section on <em>Black Mask<\/em>, which was a very influencial detective pulp in its time, we get an excerpt from <strong>Milton Shaw<\/strong>\u2019s book on his father, <em>Joseph T. Shaw: The Man Behind &#8220;Black Mask&#8221;<\/em>. This work gives the beginnings of <em>Black Mask<\/em>, and the work that \u201cCap\u201d Shaw did during his tenture as editor for 10 years. <em>Black Mask<\/em> was a general fiction pulp, but it was Shaw who turned it into the major detective pulp that it became and introduced in it idea of the hardboiled detective.<\/p>\n<p>Then pulp researcher <strong>Will Murray<\/strong> examines the idea of &#8220;untold tales&#8221; of <em>Black Mask<\/em> authors who left the magazine and other matters. <strong>Kenneth White<\/strong>, who became <em>Black Mask<\/em> editor in the 1940s, is the subject of <strong>John Wooley<\/strong>&#8216;s article.<\/p>\n<p>An interesting piece by <strong>Christopher Ryan<\/strong> tells of his use of pulp-fiction readings in a high-school literature class, and in particular a story from <em>Black Mask<\/em>.<\/p>\n<p>Was <strong>Raoul Whitfield<\/strong> both a <em>Black Mask<\/em> author <em>and<\/em> a killer? <strong>Craig McDonald<\/strong> looks into this question. <em>Black Mask<\/em>&#8216;s circulation numbers is the subject of <strong>Brooks E. Hefner<\/strong>&#8216;s article.<\/p>\n<p>In addition to these works, we get several on other topics.<\/p>\n<p><strong>Thomas P. Kelly<\/strong> is the self-proclaimed &#8220;Canadian King of the Pulps.&#8221; <strong>Tony Davis<\/strong> provides a good overview of this author whose fame is probably more due to this fictional works on the real Canadian murders, the <strong>Black Donnellys<\/strong>. A few of his works have been reprinted, but I haven&#8217;t read them, such as <em>I Found Cleopatra<\/em>.<\/p>\n<p><em>The Pulpster<\/em>&#8216;s editor <strong>Bill Lampkin<\/strong> takes a look at <strong>Bob Dylan<\/strong>&#8216;s possible pulp influences in his use of pulp magazine images on album covers and in lyrics.<\/p>\n<p><strong>Eva Lynd<\/strong>, model and actress who was featured on many men&#8217;s adventure magazine covers and illustrations, was supposed to be the guest of honor at PulpFest this year. <strong>Robert Deis<\/strong> gives us a writeup of her and her career.<\/p>\n<p><strong>Renfrew of the Mounties<\/strong> was a popular character who appeared in several medium: mgazines, books, radio, and film. <strong>Martin Grams Jr.<\/strong> gives an extensive look at this character. I am surprised that I hadn&#8217;t heard of him.\u00a0 I think the only literary Mountie I&#8217;ve heard of is <strong>Sgt Preston of the Yukon<\/strong>.<\/p>\n<p><strong>Darrell Schweitzer<\/strong> provides a discussion he had with science-fiction authors and couple <strong>Leigh Brackett<\/strong> (&#8220;Queen of Space Opera&#8221;) and <strong>Edmond Hamilton<\/strong> (<strong>Captain Future<\/strong>, et al). <strong>Stuart Hopen<\/strong> examines at <strong>Philip Wylie<\/strong>, whose works <em>Gladiator<\/em> and <em>Savage Gentlemen<\/em> are often given as inspirations for <strong>Doc Savage<\/strong>, <strong>Superman<\/strong> and others.<\/p>\n<p>We get a <strong>Kelly Freas<\/strong> cover and color throughout the issue. There were no fiction reprints this time, though there is a two-page reprint from <strong>Hugo Gernsback<\/strong>.<\/p>\n<p>Wrapping up the issue is sad information on those who have passed, in particular <strong>Nick Carr<\/strong>.<\/p>\n<p>Yet another good issue. You should be able to get copies from <a href=\"https:\/\/sites.google.com\/site\/mikechomkobooks\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mike Chomko, Books<\/a> and others. I look forward to next year&#8217;s issue.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While we don&#8217;t have a PulpFest this year, we still have an issue of The Pulpster, now up to #29. And it&#8217;s a much bigger issue with 84 pages rather than 48 pages. Two major themes for this year: the 100th anniversary of the birth of Ray Bradbury, and the 100th anniversary of the debut [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":10745,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_has_post_settings":[],"footnotes":"","jetpack_publicize_message":"The Pulp Super-Fan looks at 'The Pulpster' #29. #pulpmags #scifi #raybradbury @ThePulpster @PulpFest","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false,"_wp_rev_ctl_limit":""},"categories":[56,39,1],"tags":[188,94,260,602],"hashtags":[],"class_list":["post-10444","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fanzines","category-non-fiction","category-pulps","tag-detective-pulps","tag-science-fiction","tag-the-pulpster","tag-william-lampkin"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/thepulp.net\/pulpsuperfan\/files\/2020\/08\/The-Pulpster-2020.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3eLo8-2Is","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts\/10444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/comments?post=10444"}],"version-history":[{"count":12,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts\/10444\/revisions"}],"predecessor-version":[{"id":10755,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts\/10444\/revisions\/10755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/media\/10745"}],"wp:attachment":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/media?parent=10444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/categories?post=10444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/tags?post=10444"},{"taxonomy":"hashtags","embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/hashtags?post=10444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}