{"id":11944,"date":"2022-02-28T10:00:42","date_gmt":"2022-02-28T15:00:42","guid":{"rendered":"https:\/\/thepulp.net\/pulpsuperfan\/?p=11944"},"modified":"2022-03-04T07:39:12","modified_gmt":"2022-03-04T12:39:12","slug":"the-man-who-met-tarzan","status":"publish","type":"post","link":"https:\/\/thepulp.net\/pulpsuperfan\/2022\/02\/28\/the-man-who-met-tarzan\/","title":{"rendered":"&#8216;The Man Who Met Tarzan&#8217;"},"content":{"rendered":"<p>Recently, <a href=\"http:\/\/meteorhousepress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Meteor House<\/a> did a trio of works involving <strong>Philip Jos\u00e9 Farmer<\/strong>, including this collection of his essays over the years on <strong>Tarzan<\/strong>: <em>The Man Who Met Tarzan<\/em>.<\/p>\n<p><a href=\"https:\/\/thepulp.net\/pulpsuperfan\/files\/2022\/01\/man-who-met-tarzan.jpg\" rel=\"lightbox[11944]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-large wp-image-13439\" src=\"https:\/\/thepulp.net\/pulpsuperfan\/files\/2022\/01\/man-who-met-tarzan-654x1024.jpg\" alt=\"&quot;The Man Who Met Tarzan&quot;\" width=\"350\" height=\"548\" srcset=\"https:\/\/thepulp.net\/pulpsuperfan\/files\/2022\/01\/man-who-met-tarzan-654x1024.jpg 654w, https:\/\/thepulp.net\/pulpsuperfan\/files\/2022\/01\/man-who-met-tarzan-192x300.jpg 192w, https:\/\/thepulp.net\/pulpsuperfan\/files\/2022\/01\/man-who-met-tarzan-768x1203.jpg 768w, https:\/\/thepulp.net\/pulpsuperfan\/files\/2022\/01\/man-who-met-tarzan.jpg 958w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>While a few of these essays I have read elsewhere, and many are easily found in recent works, some are new to me, and perhaps others. So this is a great collection. This volume was done in both hardback and paperback, but the hardbacks are now probably gone.<\/p>\n<p>So what do we get?<\/p>\n<p>Let&#8217;s first talk about the cover artwork, which came from a Tarzan poster created in the &#8217;70s by <strong>John Solie<\/strong>. So it may be that few have seen it. I also like that they used the same &#8220;Tarzan&#8221; logo that is being used by the various new books (reprints and originals) coming from <a href=\"https:\/\/www.edgarriceburroughs.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">ERB Inc.<\/a><\/p>\n<p>The first section is &#8220;Introductions.&#8221; Here we get a handful of works. The piece by <strong>Henry G. Franke III<\/strong> gives a great overview of Farmer&#8217;s works on Tarzan, and explains what we have in this collection and their importance. This is followed by <strong>Christopher Paul Carey<\/strong>, who gives his take. And then from Farmer himself, we have &#8220;The Golden Age and The Brass,&#8221; where he informs us of how he discovered Tarzan and its affect on him.<\/p>\n<p>The next section is &#8220;The Official Biographer,&#8221; with a trio of works. We get &#8220;An Appreciation of Edgar Rice Burroughs,&#8221; a short piece on <strong>Edgar Rice Burroughs<\/strong> that focuses mainly on Tarzan. Then, &#8220;From ERB to Ygg&#8221; is a genealogical look at EBR, tracing him back to Woten (Ygg), similar to what Farmer did for himself. And then, a somewhat strange piece, &#8220;The Princess of Terra&#8221; is a meta-fictional piece, being a work that reviews a Martian sf author who, similiar to ERB, has his Martian hero travel to Earth and have adventures <em>a la<\/em> <strong>John Carter<\/strong>.<\/p>\n<p>Then, we have &#8220;The Feral Man&#8221; section, which focuses on the concept of, well, the &#8220;feral man,&#8221; the man raised in the wilderness. Farmer actually edited a collection of such works, titled <em>Mother Was a Lovely Beast<\/em>. From that we get his introduction, a little edited, then &#8220;The Feral Human in Mythology and Fiction,&#8221; which was an afterward. We don&#8217;t get &#8220;The God of Tarzan,&#8221; which tells how Tarzan taught himself language, but later his intro to this piece.<\/p>\n<p>The &#8220;Investigation&#8221; section follows, which present articles where Farmer digs into various areas of Tarzan&#8217;s life. First off is &#8220;Some Problems in Writing the Tarzan Biography,&#8221; where he gives some issues he had to deal with, such as the &#8220;<strong>Korak<\/strong> time issue.&#8221; This topic was more detailed in &#8220;The Great Korak Time Discrepancy.&#8221; And then, &#8220;A Reply to the Red Herring&#8221; was, as it indicates, a letter in response to someone else&#8217;s article on this same topic.<\/p>\n<p>However, &#8220;The Lord Mountford Mystery&#8221; provides info that would link a Tarzan story with a work by <strong>H. Rider Haggard<\/strong>. And finally, &#8220;A Kernel of Truth&#8221; is a letter in response to U.K. artist and critic <strong>James Cawthorn<\/strong>, who doesn&#8217;t like the idea of treating Tarzan as real.<\/p>\n<p>Then we have &#8220;The Legend&#8221; section, where Farmer expands on Tarzan. &#8220;The Arms of Tarzan&#8221; is what it says, showing what Farmer has worked out as Tarzan&#8217;s coat of arms. And we have it given in full color on the back cover. I remember seeing this article in a prior work and being frustrated that all we got was a poor black-&amp;-white photo.<\/p>\n<p>Getting into languate, we have is intro to &#8220;The God of Tarzan,&#8221; &#8220;Tarzan the Reasoner,&#8221; delving into that subject. Then &#8220;A Language for Opar&#8221; looking into that topic. &#8220;I Still Live!&#8221; is a keynote address Farmer did that again delves into Tarzan. And then, &#8220;From Forne to Farmer&#8221; is another genealogical work that links Farmer to Tarzan.<\/p>\n<p>The next two pieces were included in the most recent edition of <em>Tarzan Alive<\/em> from <a href=\"https:\/\/www.nebraskapress.unl.edu\/bison\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bison Books<\/a>. These consist of &#8220;Extracts From the Memoirs of Lord Greystoke,&#8221; which is, as it says, material &#8220;written&#8221; by Tarzan. And Farmer&#8217;s &#8220;An Exclusive Interview With Lord Greystoke.&#8221; However, both pieces have been added to, found in Farmer&#8217;s files. With the &#8220;Extract,&#8221; we get an additional short extract, about a page. And with &#8220;An Interview,&#8221; we get his preparatory notes, including additional questions and answers. In fact, it is just these sorts of additions that make this collection worth obtaining.<\/p>\n<p>This book came out from Meteor House along with a couple additions to the &#8220;Secret of the Nines&#8221; series. Again, if you are interested in Tarzan and Farmer&#8217;s work, this is a volume to get. I don&#8217;t know if we&#8217;ll ever get additional pieces from Farmer on this topic from his files. So this is a nice addition, regardless.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recently, Meteor House did a trio of works involving Philip Jos\u00e9 Farmer, including this collection of his essays over the years on Tarzan: The Man Who Met Tarzan. While a few of these essays I have read elsewhere, and many are easily found in recent works, some are new to me, and perhaps others. So [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":13438,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_has_post_settings":[],"footnotes":"","jetpack_publicize_message":"The Pulp Super-Fan looks at \"The Man Who Met Tarzan.\" #pulpmags #woldnewton #tarzan #edgarriceburroughs #erb #philipjosefarmer","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false,"_wp_rev_ctl_limit":""},"categories":[39,1],"tags":[790,791,787,261,225,372],"hashtags":[],"class_list":["post-11944","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-fiction","category-pulps","tag-christopher-paul-carey","tag-henry-g-franke-iii","tag-meteor-house","tag-philip-jose-farmer","tag-tarzan","tag-wold-newton"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/thepulp.net\/pulpsuperfan\/files\/2022\/01\/man-who-met-tarzan-featured.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3eLo8-36E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts\/11944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/comments?post=11944"}],"version-history":[{"count":10,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts\/11944\/revisions"}],"predecessor-version":[{"id":13456,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/posts\/11944\/revisions\/13456"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/media\/13438"}],"wp:attachment":[{"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/media?parent=11944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/categories?post=11944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/tags?post=11944"},{"taxonomy":"hashtags","embeddable":true,"href":"https:\/\/thepulp.net\/pulpsuperfan\/wp-json\/wp\/v2\/hashtags?post=11944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}