{"id":345,"date":"2007-11-05T19:05:52","date_gmt":"2007-11-06T02:05:52","guid":{"rendered":"http:\/\/thepulp.net\/PulpBlogs\/YellowedPerils_test\/?p=345"},"modified":"2007-11-05T19:05:52","modified_gmt":"2007-11-06T02:05:52","slug":"a-tale-of-two-biographies","status":"publish","type":"post","link":"https:\/\/thepulp.net\/yellowedperils\/2007\/11\/05\/a-tale-of-two-biographies\/","title":{"rendered":"A tale of two biographies"},"content":{"rendered":"

Over the past few years, I\u2019ve been reading biographies of pulpsters when I find them. Two of my most recently read ones offer a contrast.<\/p>\n

<\/p>\n

\"Martians
Martians and Misplaced Clues<\/figcaption><\/figure>\n

I had read a few short stories by Fredric Brown<\/a> and enjoyed them fairly well. So I picked up a copy of Jack Seabrook<\/strong>\u2019s biography of Martians and Misplaced Clues: The Life & Work of Fredric Brown.<\/em> Seabrook mentions that details of Brown\u2019s life are somewhat sketchy, then proceeds to demonstrate that for the next 262 pages.<\/p>\n

The biographic parts of the book could be boiled down easily to an interesting article for The Pulpster<\/em> or Blood \u2019n\u2019 Thunder<\/em>. Instead, Seabrook interspaces the biographic portions with thorough plot summaries of Brown\u2019s stories and novels.<\/p>\n

Be forewarned if you are interested in reading Martians and Misplaced Clues<\/em>: There are plenty of story spoilers throughout it. To make matters worse, many of Brown\u2019s short stories are quite Twilight Zone<\/em>-like, ending in twists or surprises. Seabrook\u2019s summaries often take the oomph out of reading any of Brown\u2019s fiction.<\/p>\n

Seabrook takes the easy road often used by reviewers. It\u2019s so much simpler to just tell the plot of a book, a story or a movie, than it is to actually review it and explain what makes it interesting or not, good or bad, worthwhile or a waste-of-time. (That means taking a critical look at something; hence the term \u201ccritic.\u201d)<\/p>\n

<\/strong><\/p>\n

<\/strong><\/p>\n

<\/p>\n

\"Pulpmaster:
Pulpmaster: The Theodore Roscoe Story<\/figcaption><\/figure>\n

<\/strong><\/p>\n

Audrey Parente<\/strong> put in the extra effort in her biography, Pulpmaster: The Theodore Roscoe<\/a> Story.<\/em><\/p>\n

Parente traces Roscoe\u2019s growth as a writer from being the grade-school author of \u201cRed Roach Ranch\u201d (the title provides for a humorous childhood anecdote), to college newspaper writer to pulpster and after. She goes beyond Roscoe\u2019s self-description of \u201cwriting to eat\u201d to show how his stories reflect more about him than he realized. And she does this by providing just the right amount of substance from Roscoe\u2019s stories \u2013 just enough to pique your interest in reading them and not spoil them.<\/p>\n

Parente, who had previously written Pulpman\u2019s Odyssey: The Hugh B. Cave<\/a> Story,<\/em> discovered that Roscoe lived nearby on Florida\u2019s east coast. That enabled her to sit down with him and his wife, as well as look through his papers.<\/p>\n

Maybe that\u2019s the rub between these two books. There wasn\u2019t much information available about Brown, whereas Roscoe was in the neighborhood and had copious papers to pull from.<\/p>\n

It was easier for Parente to write a book because the information was plentiful. Seabrook, on the other hand, had to fall back to padding the book with story summaries. Too bad. A bit of bloodhounding by Seabrook might have turned up a much more interesting biography.<\/p>\n

If you have a choice and are looking for an interesting read, pick Parente\u2019s Pulpmaster<\/em>.<\/p>\n

\u2013\u00a0William<\/p>\n","protected":false},"excerpt":{"rendered":"

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